So I went on a train and the train went to Liverpool and I went on a train to Liverpool to look at some art. First off, I hotfooted it to the lovely becolumned Walker Gallery to see the show Art In Revolution: Liverpool 1911. It harks back to an exhibition of international Post-Impressionist and local avant-garde artists held in the Bluecoat 100 years ago. It didn't blow me away, I'll be honest, but it is very varied and there are some quite nice pieces (nice bit of Gaugin; some really nice woodcuts; a nice spot of Pointillist stuff, possibly even Seurat, I can't remember).
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From here, I sauntered over to the Tate in the Albert Dockhhhhh. A giant table and chairs drew me Alice in Wonderland-style into Robert Therrien: Smoke Signals, but it was the towering pile of plates (above) that was really great - the gallery invigilator told us to be careful when walking around it, as the effect of the perspective throws you off balance. He wasn't wrong: it was an almost interactive experience.
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Anyway, the reason why I really came to the Tate was to see Rene Magritte: The Pleasure Principle. It's on until 16 October, but I've been wanting to go for, like, ever. There's a ton of stuff: paintings, drawings, collages, ads (above), photos...
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